Yesterday, my family and I — along with roughly two score Lindyhoppers, Balboans and Jitterbugs — danced al fresco to the dulcet sounds of Gaucho in Jane Warner Plaza at Castro & Market for an hour before boarding a vintage F Market streetcar, band in tow, to take the swingin’ party to the Orbit Room.
All around us, the Castro throbbed with some people in full skin suits (think Blue Man Group, but in several different colors) while others galavanted around wearing massive balloon animal anemones on their backs. A few wore nothing but Easy Spirits and floppy hats. A man sat hunched over a bicycle hooked to a differential gear gizmo that turned a sign showing distances to various countries in Africa, advertising that the cyclist was raising money for HIV/AIDS research. Others engaged in a vocal campaign to elect Emma Peel as Empress of the Imperial Council of San Francisco.
Suffice it to say: It was a normal Saturday in the Castro. Except for the swing dance!
So, about this swing dance: Why does this small gathering on a random Saturday deserve a blog post? Because it gives me confidence that Swing 2.0 — unlike the original craze that accompanied big band music of the 40s — won’t be needing a revival of its own, at least not any time soon. Swing is far from dead; in fact, it’s strong and growing stronger as we enter the third decade of swing’s second go-round.
For some background: My wife Allison and I met in San Francisco near the beginning of the great swing revival of the mid-1990s. As Lindy in the Park — one of the many venues we frequented — gets ready to celebrate its 20 year anniversary, we’ve come to realize that dancers of our vintage represent the old guard of new swing.
As we learned from the recent disappearance of one of our most lively venues, it’s incumbent upon us, whether we bring two decades of lindyhop experience with us or not, to take care of the places that offer swing dancing and the bands that make it all possible. (Note: I saw a lot of people tipping Gaucho and noticed many fives, tens and at least one 20 in the kitty yesterday.)
In addition to supporting our local bands and venues, we stewards of swing also need to find new places to dance, especially in front of people who aren’t already lindyhoppers. One woman asked my wife, “Is this whole thing just an accident?” Hardly! It was the result of the efforts of two dancers (Kristin Wojkowski and Idalia Ramos) with the backing of the Castro/Upper Market Community Benefit District’s Live in the Castro series.
While talking with Sam Simmons and Terra Williams, who, along with Monica Lenk, recently opened a fabulous vintage store in Oakland called OverAttired, I noticed Ken Watanabe lindyhopping with Decobelle Katrina Haus Morales, who, according to Facebook, was negative two years old when Ken started swing dancing.
I also danced a few songs with my daughter (including this extended drum break captured on video). She was negative eight years old when Allison and I started swing dancing. Literally a biproduct of lindyhop, she won her first — and only — dance competition in October of last year.
If JFK famously said that children are the best hope for the future, then I have plenty of hope for the future of lindyhop.